Review added January 13, 2005.
Grosse Pointe Blank
:: DVD Review |
|
. . |
|
|
|
|
|
|
Studio:
Hollywood Pictures |
|
>> Review
Equipment |
Video:
1.78:1
(Enhanced for 16:9) |
|
Length:
103
Minutes |
Audio:
Dolby Digital 5.1 (384kbps) En/Fr |
|
Subtitles: En/Por/Du |
Dolby
Digital 2.0 (192kbps) It |
|
Disc Format:
DVD-5 |
Video Format:
PAL |
|
Disc Capacity Utilised:
3.85GB |
Layer Change:
NA |
|
Region Coding:
2/4 |
Average Bit-Rate (A+V):
5.20Mbps |
|
|
|
|
|
|
|
|
|
. . |
:: The Film
:: |
|
>> Skip to
Audio/Video Details
Grosse Pointe Blank is a quirky
little comedy that I enjoyed immensely. Its unusual comic
sensibilities may not go down well with everyone, being
slightly darker than most, but the film offers more than a
few laughs for those in a suitable frame of mind. John
Cusack plays Martin Blank, a professional assassin-for-hire.
Blank is having second thoughts about his career, and is
seriously contemplating retiring. Through no fault of his
own (and thanks in no small part to rival hit man and former
colleague 'The Grocer', played by Dan Aykroyd), Blank's
latest assignment goes awry, and his employers insist he
take on a second assignment to make up for this 'failure'.
As luck would have it, the job
they have in mind is in Blank's hometown of Grosse Pointe;
and during the week of his ten-year high school reunion to
boot. Ten years earlier, unknown to friends or family, Blank
enlisted in the US Army, standing up high school love Debi
Newberry (Minnie Driver) on prom night and vanishing without
trace.
|
|
Understandably, Martin is a little wary about
going to the reunion and explaining what he's been doing
for the last ten years, but decides to attend anyway. To
spice things up a bit, two NSA agents intent on 'retiring'
Martin themselves and an assassin hired to kill Martin
(following an unfortunate incident involving a millionaire's
prized retriever and a stick of dynamite) have also
converged on Grosse Pointe. The Grocer has also tagged
along, hoping to persuade Martin to join his new
professional assassins' union. Or kill him (this union has
very strict policies against 'scab' labour). Martin's
attempts to rekindle his relationship with Debi Newberry are
greatly complicated by this crowd of unwanted guests, and
the situation comes to a head over the course of the reunion
and the following morning, when Martin's full history is
revealed and his willingness to part with his profession
tested.
The film's basic plot isn't really all
that original, and the whole enterprise has the feel of a
'concept' comedy: variable animals to say the least. Despite
this, the film works well, with dialogue, story and acting
dovetailing nicely, although the end of the film seems
slightly disjointed and tonally different to the rest of the
film. Overall, this is an admirable effort from all
involved. Recommended.
|
|
::
Video
:: |
. . |
|
This anamorphically-enhanced 1.85:1 (actually closer to
1.78:1) transfer comes to us from Hollywood Pictures, and
is a solid effort. The print used for the transfer was
fairly clean, with very few film artefacts. There are
occasional hairs and speckles visible, but nothing that
distracts from the picture's positive attributes. Colours
were nicely saturated and I was unable to detect any edge
enhancement.
The image is fairly sharp, looking smooth and
detailed most of the time, with only some occasional
aliasing, a few grainy scenes and a handful of very minor
digital artefacts causing concern. Blacks are deep and
solid, but shadow detail is poor. This results in a high
contrast image, with on-screen information either well lit
and clearly visible or darkly lit and murky, with very
little middle ground. Contrast issues aside, this transfer
is quite pleasing on the eye and earns a respectable four
stars.
|
|
|
. . |
:: Audio
:: |
. . |
|
This Dolby Digital 5.1 soundtrack is a strictly functional
affair. There are no audio pans and the front channels contain
little aside from music (mainly mid '80s pop), a few
directional cues and some background ambient effects. The
soundtrack contains little in the way of bass and sounds
mildly compressed, while the overall soundstage is very much
front hemisphere oriented with very little use of the surround
channels.
When the surround channels are
engaged, they are generally restricted to music and subtle
background effects, although there were a handful of discrete
surround effects. The LFE channel is used to support more
dramatic scenes, but remains quiet most of the time; even when
used, bass from the LFE channel isn't deep, but still manages
to complement the front channels well.
Dialogue is clear and easy to
understand, but several scenes suffer from noticeable pegging
distortion. This is a perfectly acceptable soundtrack
considering the nature of the film, but certainly won't test
the capabilities of your audio system. Three and a half stars.
|
|
|
. . |
|
|