Review added January 13, 2005.
Braveheart
:: DVD Review |
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Studio:
20th Century Fox |
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>> Review
Equipment |
Video:
2.35:1 (Enhanced for 16:9) |
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Length:
170
Minutes |
Audio:
Dolby Digital 5.1 (384kbps) Eng |
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Subtitles: En/Por/Du |
Video Format:
PAL |
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Disc Format:
RSDL DVD-9 |
Layer Change:
99:32 |
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Disc Capacity Utilised:
6.70GB |
Average Bit-Rate (A+V):
5.29Mbps |
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Region Coding:
2/4 |
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:: The Film
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Audio/Video Details
Based (very) loosely on the life
of legendary Scottish figure William Wallace, Braveheart was
one of 1995's biggest critical and box-office successes,
netting a grand total of five Academy Awards, including Best
Picture and Best Director. A rousing epic of the variety
rarely produced since the 1960s, Braveheart is filled with
eye-popping vistas of Scotland and massive (and bloody)
battles. A visually stunning presentation, Braveheart also
features excellent performances all around and a compelling
story of love and betrayal.
Following the brutal murder of his
wife by an English nobleman, William Wallace (Mel Gibson)
leads an uprising against the forces of English King Edward
the Longshanks in his native Scotland. Historically
inaccurate, Braveheart should be treated as entertainment,
not as as historical document; when treated as such,
however, it is sure to entertain. A small note of warning,
Braveheart contains some fairly graphic violence, and is
certainly not for the weak of stomach.
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Video
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Courtesy of 20th Century Fox this disc has received an
exceptionally good anamorphically enhanced 2.35:1
transfer. Only a few minor quibbles prevent it from
attaining reference quality status, but it's a close call.
The image on display here is extremely sharp, with
significant fine detail present on screen. Despite this
sharpness, there is no edge enhancement to be seen, and
the picture remains smooth and film-like at all times;
only during a handful of shots does the image lose its
razor sharp edge, and only briefly at that.
Despite the film's relative youth, the print
used for this transfer was surprisingly noisy, and minor
film artefacts are present sporadically throughout the
film, although never to the point of distraction. Aside
from these minor quibbles, all other aspects of this
transfer are exemplary. Shadow detail is very good, with
ample fine detail present in darker nighttime scenes and
murky interior shots. Colour saturation is exceptional:
the film's many subdued landscapes look stunning, and the
actors' skin tones natural and accurate. Aliasing is
almost completely absent, and the only instances of
shimmer I could detect were in two brief shots of a
soldier's suit of armour.
There were absolutely no digital compression
artefacts to be seen, which is most impressive when taking
the film's length into account. This is an excellent
transfer, and only minor flaws prevent me from giving it
five stars (and only just, I might add). Considering the
overall quality of this transfer, I would be surprised if
anyone were to express disappointment with the picture
presented on this disc.
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:: Audio
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When released on LaserDisc, Braveheart's Dolby Digital
soundtrack was frequently used to demonstrate the format's
immersive capabilities, containing several impressive and
subtly enveloping audio sequences. The soundtrack continues to
impress in this respect, as does its superior fidelity. Like
those of 'Dances With Wolves' and 'Pleasantville',
Braveheart's soundtrack is remarkably clean: the low-level
distortion, sibilance and dialogue pegging so common in many
recent efforts is completely absent here, and most welcome.
Dialogue is impressively clear and
easy to understand, with no obvious ADR inserts. The front
soundstage is wide, containing numerous smooth audio pans and
directional cues, as well as an impressively recorded score.
The surround channels are used somewhat sparingly, but are
exceptionally well integrated with the front channels when
utilised, containing subtle ambient effects such as wind, rain
and birdcalls that significantly enhance the viewing
experience of the film.
The surround channels are also used
to support the front channels during several of the film's
more dramatic sequences, with the sounds of clashing metal and
flying arrows fully surrounding the listener during the film's
spectacular battle scenes. The LFE channel is used frequently,
and is impressively deep, containing powerful yet well
controlled sub-bass reinforcement of the main channels. This
is a superb soundtrack.
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